This
is the font which started off the whole process,
as I wrote at the beginning, the idea of a
range of mediaeval illuminated capitals I
could use at short notice, without having
to scan or draw something specially.
And
since none of the programmes I normally use
could make a sensible vector version of the
bitmap picture, it's also what started me
looking at Illustrator ... and the beginning
of a fateful love affair.
As
we all know, A is for Acanthus; and for those
of us who didn't know,
SpellCatcher's
dictionary tells us it's a "prickly Mediterranean
herb".
You
can see in the next chapter what it looked
like when I tried to get the various programmes
to trace vectors automatically from the pixels
of this
picture.
Once I'd finally given that up as a bad job,
and accepted the time it would take to trace
it by hand, it was actually quite enjoyable:
you can click on the thumbnails to see the
various stages ...